The Big Sellout- Traveling throughout both the developing and industrialized world, The Big Sellout brings us face-to-face with the architects of the reigning world economic order, as well as with the people bearing the brunt of their policies. The film shows how international financial institutions such as the International Monetary Fund (IMF) and the World Bank, are demanding draconian cuts in public spending, the privatization of public services and market liberalization as the only path to economic development. Then it tests these claims against actual case studies. 
Black Gold- Asks us “to wake up and smell the coffee,” to face the unjust conditions under which our favorite drink is produced and to decide what we can do about it. The film traces the tangled trail from the two billion cups of coffee consumed each day back to the coffee farmers who produce the beans. In particular, It follows Tadesse Meskela as he tries to get a living wage for the 70,000 Ethiopian coffee farmers he represents. In the process Black Gold provides the most in-depth study of any commodity on film today and offers a compelling introduction to the “fair trade” movement galvanizing consumers around the globe.
Forgiveness- Is one of the most moving and complex films on the seminal theme of truth and reconciliation to have been produced in South Africa. It is filled with images of sand-swept roads, wind driven clouds and pounding surf, all symbolizing letting go of the past and surrendering to the forward motion of time. It is ultimately a film about time, about our unresolved relation to the past, not about forgetting it but forgiving it, so we can finally let go of it and move on into the future.
The Killer Bargain- Referred to by this hard-hitting documentary’s title is the availability of cheap consumer goods, imported by Western companies, whose prices don’t reflect the actual human and environmental costs associated with their production in the developing world. Consumers remain largely unaware of the conditions under which the goods they buy are produced; this film makes those connections shockingly clear. While some retailers and manufacturers refuse to talk to the filmmakers, workers, doctors and scientists testify eloquently to the tremendous human costs of globalization.
Maquiladoras- Carmen Durán works the graveyard shift in one of Tijuana’s 800 maquiladoras; she is one of six million women around the world who labor for poverty wages in the factories of transnational corporations. After making television components all night, Carmen comes home to a dirt-floor shack she built out of cast-off garage doors from the U.S., in a neighborhood with no sewage lines or electricity. She suffers from on-the-job kidney damage and lead poisoning from her years of exposure to toxic chemicals. She earns six dollars a day on which she must support herself and her three children.
NO! Confronting Sexual Assault in Our Communities is a new documentary film about the impact of sexual violence on Black women and girls. As the incidents of violence and sexual assault continue on campuses and in communities across the country, this film can be used to support both women and men, regardless of race, as they learn to navigate the challenging terrain of sexuality --without violence. Created by an award-winning producer to shed light on the challenges and solutions to sexual assault in the African American community. NO! artfully combines socio-historical inquiry with messages from violence prevention advocates and first person testimonial from survivors. This film is the one tool you need to help students of all colors understand the complex dynamics of sexual assault.
The Debt of Dictators is the first film to expose the nefarious lending of billions of dollars by multinational banks and international financial institutions to brutal dictators throughout the world. Nobel Peace Prize Laureate, Adolfo Perez Esquivel, asserts that transnational banks “know the price of everything, but have no values”. Debt of Dictators reveals the impoverishment resulting from the odious debts incurred to multinational lending institutions by these dictators. The film transports viewers to Argentina, South Africa, and the Philippines, where they come face to face with those suffering from the sacrifice of essential social services in order to repay these illegitimate debts.